UMBERTO DAINA: BYE PAINT, HELLO 3D

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They say, they gossip, that Microsoft is going to make to his fantastic, nostalgic and borbonic (’cause he looks like the inbred outcome of two far cousins) Paint programme what common sense did to blu-ray; erase it from History taking with it  afternoons, presentations and 3rd grade essay titles full of fun and cognitive and eye suffering.
We don’t know if it’s true, if, while stroking a white cat, Bill Gates will throw away one of the last reminders of our pre-Adobe childhood. A whole generation started there; maybe Umberto Daina did too. This Italian 3D master, graphic designer and filmmaker, belongs to a world that is sweet and disturbing; it’s like that 2007 trend of pink skulls, but with nothing to do with it, exactly. His hairy figures, flying sprays, his pinks and blues convince us that the future, at least, looks nice.
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